PLANE CATCHER, or: SAD IRONS
series of 55 objects; various sizes, model airplane, iron, 2018 – 2021

#13, 2019; 27.8 x 11.3 x 24 cm, 0.9 kg; all photos by KseniaYurkova

As a child, I was obsessed with everything connected to aviation—including patiently assembling, gluing and painting plastic airplane models. Of course almost all of these kits, in which I invested all my pocket money, were miniatures of military machines. Civilian or passenger planes were hardly found among them. And so the absurd situation arose, that —despite my consistently pacifist upbringing—my kid’s room slowly but constantly turned into a military airfield, on which all kinds of strategic maneuvers and dogfights were performed by me and my friends.
It is clear that such childlike war games are not real wars, but the expression of various subconscious processes that are channeled through them. As puberty progressed, I lost interest in aircraft as well as in model making. My air fleet had long been forgotten when I discovered it again in the basement more than 40 years later, jumbled up in boxes. I had just started clearing out the house after my mother’s death.
My mother, to whom I largely owe my pacifist upbringing, was a dressmaker. Born in 1933 and raised in a humble home, she was in many ways a typical representative of the war generation: she couldn’t throw anything away. Everything that theoretically could be needed again at some point in the future was kept and stored. There was plenty of space; she lived in the house, which had been built as a home for two families, for more than her last two decades alone. Then I found her irons. There were many of them. Tools of a female profession, replaced over years by better and more efficient models, but never disposed of. They all still worked. At some point the childlike fleet of aircraft and the motherly irons’ wall faced each other. Long time, over months. Male lust for aggression against a body of female gravity, resting unshakeably, radiating heat. It was inevitable that they would have to come together; their mutual attraction was too intense..
#8, 2018; 27.5 x 16 x 24 cm, 0.9 kg
#8, 2018; 27.5 x 16 x 24 cm, 0.9 kg
#42, 2019; 23.3 x 11.5 x 22 cm, 0.7 kg
#42, 2019; 23.3 x 11.5 x 22 cm, 0.7 kg
#3, 2018; 25.5 x 10.8 x 22 cm, 1.1 kg
#3, 2018; 25.5 x 10.8 x 22 cm, 1.1 kg
#13, 2019; 27.8 x 11.3 x 24 cm, 0.9 kg
#13, 2019; 27.8 x 11.3 x 24 cm, 0.9 kg
#9, 2019; 22 x 9 x 29.6 cm, 5.0 kg
#9, 2019; 22 x 9 x 29.6 cm, 5.0 kg
The manipulations of the objects are simple. I choose pairs of model airplanes and irons that fit together (I have of course bought quite a few other irons at flea markets; but all the aircraft models actually stem from my children’s workshop). I heat the iron and press the plastic model against it. Depending on the temperature, pressure and angle of the contact, the melting plastic deforms and combines with the metal in various ways. At the right moment I pour water over it; usually one needs a full watering can to stop the process. It hisses and bubbles, steams and cracks. Then it is completely silent. Everything is frozen. Sometimes the cockpit’s transparent window stays fogged up; through which you faintly can see the little pilots stuck in it.

“Plane Catcher is an impulsive alphabet, a system of signs washed up from childhood,

behind it a higher law that brings art and action into harmony.“ Bernhard Kathan

#31, 2019; 27 x 25 x 24.5 cm, 5.7 kg
#31, 2019; 27 x 25 x 24.5 cm, 5.7 kg
#32, 2019; 18.5 x 21.8 x 35 cm, 3.6 kg
#32, 2019; 18.5 x 21.8 x 35 cm, 3.6 kg
#37, 2019; 25 x 21.5 x 20.5 (+ 4.5 x 6.5 x 16) cm, 1.5 (3.6) kg
#37, 2019; 25 x 21.5 x 20.5 (+ 4.5 x 6.5 x 16) cm, 1.5 (3.6) kg
#25, 2019; 20 x 14.4 x 17 cm, 3.2 kg
#25, 2019; 20 x 14.4 x 17 cm, 3.2 kg
#2, 2018; 21.5 x 12 x 19.5 cm, 0.7 kg
#2, 2018; 21.5 x 12 x 19.5 cm, 0.7 kg
#10, 2019; 20 x 21.2 x 20 cm, 3.2 kg
#10, 2019; 20 x 21.2 x 20 cm, 3.2 kg
#12, 2019; 19.2 x 8.8 x 8.5 cm, 0.4 kg
#12, 2019; 19.2 x 8.8 x 8.5 cm, 0.4 kg
#19 “Der rote Baron”, 2019; 11.4 x 9.8 x 17 cm, 0.6 kg
#19 “Der rote Baron”, 2019; 11.4 x 9.8 x 17 cm, 0.6 kg
#11, 2019; 18.5 x 11.2 x 16 cm, 3.0 kg
#11, 2019; 18.5 x 11.2 x 16 cm, 3.0 kg
#27, 2019; 14.7 x 12.6 x 15.4 (+ 1.7 x 6.4 x 11.5) cm, 0.6 (1.1) kg
#27, 2019; 14.7 x 12.6 x 15.4 (+ 1.7 x 6.4 x 11.5) cm, 0.6 (1.1) kg
#29, 2019; 14 x 13.5 x 20.8 (+ 2.8 x 3.5 x10.2) cm, 0.7 (1.1) kg
#29, 2019; 14 x 13.5 x 20.8 (+ 2.8 x 3.5 x10.2) cm, 0.7 (1.1) kg
#41, 2019; 12.5 x 15 x 24 cm, 2.4 kg
#41, 2019; 12.5 x 15 x 24 cm, 2.4 kg
#21 “Cold Handed Sad Iron”, 2019; 13 x 18.8 x 21.4 cm, 1.9 kg
#21 “Cold Handed Sad Iron”, 2019; 13 x 18.8 x 21.4 cm, 1.9 kg
#36, 2019; 15.7 x 17 x 22.2 cm (+ 4.8 x 6.5 x 14.5) cm, 1.7 (3.4) kg
#36, 2019; 15.7 x 17 x 22.2 cm (+ 4.8 x 6.5 x 14.5) cm, 1.7 (3.4) kg
#33, 2019; 16.2 x 14 x 24.8 (+ 4 x 7.8 x 14.4) cm, 1.6 (3.6) kg
#33, 2019; 16.2 x 14 x 24.8 (+ 4 x 7.8 x 14.4) cm, 1.6 (3.6) kg
#38, 2019; 20.4 x 15 x 20.6 (+ 2.5 x 8.8 x 14.7) cm, 1.1 (2.1) kg
#38, 2019; 20.4 x 15 x 20.6 (+ 2.5 x 8.8 x 14.7) cm, 1.1 (2.1) kg
#20, 2019; 19 x 10.5 x 19 (+ 2.5 x 9 x 15) cm, 1.3 (2.6) kg
#20, 2019; 19 x 10.5 x 19 (+ 2.5 x 9 x 15) cm, 1.3 (2.6) kg
#40 “Martin Marauder”, 2019; 22 x 30 x 27.5 cm, 3.4 kg
#40 “Martin Marauder”, 2019; 22 x 30 x 27.5 cm, 3.4 kg
#39, 2019; 21.6 x 25 x27.5 cm, 3.9 kg
#39, 2019; 21.6 x 25 x27.5 cm, 3.9 kg
#18 “Fieseler Storch”, 2018; 19.2 x 13.2 x 22.5 kg, 2.9 kg
#18 “Fieseler Storch”, 2018; 19.2 x 13.2 x 22.5 kg, 2.9 kg
#30 “Kamikaze”, 2019; 21.2 x 13.3 x 18 cm, 3.1 kg
#30 “Kamikaze”, 2019; 21.2 x 13.3 x 18 cm, 3.1 kg
#22, 2019; 24 x 13.2 x 15.8 cm, 1.0 kg
#22, 2019; 24 x 13.2 x 15.8 cm, 1.0 kg
#15, 2019; 21.5 x 10.7 x 24.5 cm, 3.5 kg
#15, 2019; 21.5 x 10.7 x 24.5 cm, 3.5 kg
#43 “Tupolew”, 2019; 16.7 x 16 x 23 cm, 0.4 kg
#43 “Tupolew”, 2019; 16.7 x 16 x 23 cm, 0.4 kg
#17, 2019; 18.3 x 14.5 x 17.3 cm, 2.8 kg
#17, 2019; 18.3 x 14.5 x 17.3 cm, 2.8 kg
#16, 2019; 18.4 x 18.6 x 18.6 cm, 3.0 kg
#16, 2019; 18.4 x 18.6 x 18.6 cm, 3.0 kg
#28, 2019; 19.4 x 16 x 18 cm, 3.1 kg
#28, 2019; 19.4 x 16 x 18 cm, 3.1 kg
#7, 2018; 25 x 17.2 x 24 cm, 1.0 kg
#7, 2018; 25 x 17.2 x 24 cm, 1.0 kg
#14, 2019; 23.4 x 13.5 x 15.8 cm, 0.9 kg
#14, 2019; 23.4 x 13.5 x 15.8 cm, 0.9 kg
#5 “Starfighter”, 2018; 22.8 x 10.7 x 20 cm, 2.9 kg
#5 “Starfighter”, 2018; 22.8 x 10.7 x 20 cm, 2.9 kg
#6, 2018, 21.2 x 11.4 x 22 cm, 3.1 kg
#6, 2018, 21.2 x 11.4 x 22 cm, 3.1 kg
#4, 2018; 24.8 x 15 x 19 cm, 1.1 kg
#4, 2018; 24.8 x 15 x 19 cm, 1.1 kg
#1, 2018; 24 x 13.4 x 19.4 kg, 1.0 kg
#1, 2018; 24 x 13.4 x 19.4 kg, 1.0 kg
#24 “Messerschmitt Me 262”, 2019; 18.5 x 11.8 x 20.5 cm, 3.0 kg
#24 “Messerschmitt Me 262”, 2019; 18.5 x 11.8 x 20.5 cm, 3.0 kg
#34, 2019; 20 x 23 x 23 (+ 4 x 6 x 15.5) cm, 1.9 (3.6) kg
#34, 2019; 20 x 23 x 23 (+ 4 x 6 x 15.5) cm, 1.9 (3.6) kg
#26, 2019; 17.7 x 11.4 x 16 cm, 0.5 kg
#26, 2019; 17.7 x 11.4 x 16 cm, 0.5 kg
#23, 2019; 23.8 x 21.8 x 16.6 cm, 1.0 kg
#23, 2019; 23.8 x 21.8 x 16.6 cm, 1.0 kg
#35, 2019; 19.7 x 19.4 x 23 (+ 3.5 x 6.3 x 14.4) cm, 1.6 (2.9) kg
#35, 2019; 19.7 x 19.4 x 23 (+ 3.5 x 6.3 x 14.4) cm, 1.6 (2.9) kg
#44, 2020; 15 x 21 x 40 cm, 1.0 kg
#44, 2020; 15 x 21 x 40 cm, 1.0 kg
#45 “MIG 21 vs Phantom F4”, 2020; 25 x 11.5 x 17 cm, 0.7 kg
#45 “MIG 21 vs Phantom F4”, 2020; 25 x 11.5 x 17 cm, 0.7 kg
#46, 2020; 26 x 17 x 19 cm, 0.7 kg
#46, 2020; 26 x 17 x 19 cm, 0.7 kg
#47, 2021; 22 x 12 x 14 cm, 0.55 kg (iron donated by Cornelia Mittendorfer)
#47, 2021; 22 x 12 x 14 cm, 0.55 kg (iron donated by Cornelia Mittendorfer)
#48, 2021; 23 x 11 x 13 cm, 0.7 kg (iron donated by Bernhard Kathan)
#48, 2021; 23 x 11 x 13 cm, 0.7 kg (iron donated by Bernhard Kathan)
#49, 2021; 27 x 20 x 21 cm, 3.0 kg
#49, 2021; 27 x 20 x 21 cm, 3.0 kg
#50, 2021; 30 x 18 x 24 cm, 3.0 kg
#50, 2021; 30 x 18 x 24 cm, 3.0 kg
#51, 2021; 23 x 12 x 19 cm, 0.65 kg (for Elfriede Mejchar 1)
#51, 2021; 23 x 12 x 19 cm, 0.65 kg (for Elfriede Mejchar 1)
#52, 2021; 23 x 12 x 16 cm, 0.7 kg (for Elfriede Mejchar 2)
#52, 2021; 23 x 12 x 16 cm, 0.7 kg (for Elfriede Mejchar 2)
#53, 2021; 17 x 12 x 19 cm, 1.85 kg
#53, 2021; 17 x 12 x 19 cm, 1.85 kg
#54, 2021; 25 x 15 x 26 cm, 5.7 kg (iron donated by Norbert Schweizer)
#54, 2021; 25 x 15 x 26 cm, 5.7 kg (iron donated by Norbert Schweizer)
#55 “Малыш”, 2021; 8 x 7 x 29 cm, 0.3 kg (iron donated by Ksenia Yurkova)
#55 “Малыш”, 2021; 8 x 7 x 29 cm, 0.3 kg (iron donated by Ksenia Yurkova)
* Very early, already during my high school years, I became interested in Max Ernst’s art, especially in a series of works entitled Garden Airplane Traps (Jardin gobeavions). They show squares enclosed by walls, containing deformed aircraft structures, from which floral structures proliferate.

** It’s worth taking a brief look at the history of irons. From the 17th century onwards, the term sad iron (“sad” in the common meaning of “solid”) came to be used in England for the smoothing tool, which consisted of a solid metal plate with a handle that had to be heated on a hot stove plate. Its weight was between 2.3 and 4.5 kilograms. The ironing profession, which was probably one of the most unseen and underpaid, went hand in hand with the severe burns of the working women’s palms, caused by the hot metal of the handles, which could only poorly be wrapped with rags. It was in 1871 that the American inventor Mary Florence Potts patented a system that, on the one hand, made it possible to speed up the work process with interchangeable wooden handles and, on the other hand, protected the hands of the ironers. Her invention became known as Mrs Pott’s Cold Handle Sad Iron.
EXHIBITIONS
___ Fallen wie Kirschblüten, Hidden Museum, Fraxern, A, Sept 1st – 21st, 2022
___ Open Studio Days, AIR InSILo, Hollabrunn, A, Oct 16th – 17th, 2021